游戲神通，解釋以游樂玩耍的態(tài)度來使用神通本，出自《維摩經(jīng)》。我們聯(lián)手街頭藝術(shù)家FISH，用涂鴉的途徑，在寺院完成了一個(gè)多媒體裝置，利用光，打破建筑空間與作品空間的邊界，從而將寺院本身也納為裝置的一部分。我試圖在一個(gè)宗教場(chǎng)合讓作品更加合適的探討我一直在探索的文化，城市，宗教的邊界與語境，將釋迦摩尼從出生到修佛，悟道，傳法，涅槃，用自己的語言進(jìn)行詮釋和重塑，在場(chǎng)域中制造某種沖突與思考。 The game is supernatural, explaining the use of the magical play to use the magic book, from the Vimal. Together with the street artist FISH, we used a graffiti approach to complete a multimedia installation in the temple, using light to break the boundaries between the architectural space and the space of the work, thus making the monastery itself part of the installation. I tried to make the work more suitable in a religious occasion to explore the culture, city, and religious boundaries and contexts I have been exploring. From the birth to the cultivation of Buddhism, the realization of Taoism, the teaching of the Fa, the Nirvana, in my own language. Interpret and reshape to create some kind of conflict and thinking in the field.