《場》作為未來宗教形態(tài)系列創(chuàng)作第二部分，借由空間中心的虛擬數(shù)字佛龕，一個打破了既有建筑形式的宗教空間，置于空間中央的虛擬數(shù)字佛龕，構(gòu)建未來寺廟的概念，裝置感應(yīng)面前人像，觸發(fā)佛像出現(xiàn)，科技完成與宗教的合體技術(shù)及信息格局的進(jìn)一步打破，當(dāng)下即道場，當(dāng)個體與數(shù)字佛像對峙行禮，個體的場與宗教，空間的場達(dá)成和解。 As the second part of the series of future religious forms, "Space", by means of the virtual digital Buddha in the center of space, a religious space that breaks the existing architectural form, is placed in the virtual digital Buddha in the center of the space, constructs the concept of the future temple, and senses the device. In front of the portrait, the appearance of the Buddha image, the completion of the technology and the integration of the technology and the information pattern, the current dojo, when the individual and the digital Buddha statues, the individual field and religion, the field of the field reached a settlement